This isn’t the worst flaw, but moments where I had to turn the game off sometimes resulted in having to repeat a chunk of gameplay.
#Opus echo of starsong reddit manual
If I had a complaint about OPUS, it’s that the game saves fairly infrequently and doesn’t offer a manual save option. It’s a testament to the fact that sheer style and competence can add a lot. There are other gameplay types and puzzles to be found as well, none of which outstay their welcome. It’s not the most robust version of any of these systems, but it adds a surprising amount of RPG-like depth to an otherwise simple game. There are multiple resources to manage as you travel to new worlds, encounter pirates, and investigate ancient relics, as well as upgrades to your ship that increase your chances of success. However, it also features a surprisingly robust galaxy exploration mechanic reminiscent of Mass Effect and FTL. Much of the exploration is done on foot as Jun, who can discover relics to fill in the universe’s lore. Speaking of discovery, OPUS’s gameplay has a surprising amount of layers to it. These factors all contribute to a game universe that feels distant but also believable, and it’s a joy to discover. The simple yet vivid art design and animations remain striking throughout, and composer Triodust‘s score is nothing short of stunning. This is assisted in no small part by the game’s impressive production. The game’s significant amount of character dialogue, narration, and lore are all spot-on. While OPUS’s premise may not be the most original on paper, the storytelling on hand here is fantastic. A chance encounter with Eda, a girl with the ability to sense sources of Lumen, and Remi, a young but gruff starship pilot, sends them on an adventure that quickly escalates into something much bigger. Jun is seeking a source of Lumen, a powerful energy source supposedly created by a goddess. In this Taiwanese sci-fi adventure game, players control Jun, a young noble of a disgraced noble house traveling the galaxy with his guardian Kay. This year? My money’s on OPUS: Echo of Starsong taking that crown. For me, last year’s game like that was A Monster’s Expedition. But somehow you stumble across it anyway, and it ends up leaving all the more of a lasting impression because you didn’t see it coming. There’s no major advertising to speak of, review outlets you trust completely miss it, nobody you know is checking it out, etc. Every once in a while, a game comes along that completely sidewinds you.
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